More On The Corner

Johnny Thunders and Jerry Nolan left the New York Dolls in 1975 to start the Heartbreakers (two years before us New Yorkers heard that buck-toothed blond fella from Florida). One night, to my mild shock, Johnny called me at home, announcing, “Hey, Binky, it’s JT Asparagus. (“Who?!”) It’s me, Johnny, me and Jerry want to know if you’d like to come down and jam with us. We’re starting a new band with Richard Hell. He’s a campy bassist, doncha think? So, c’mon, okay!”
Pretty exciting stuff, huh! You’d jump at that, right!
Well...
By the time the two J’s had left the Dolls, everyone on the scene knew that both of them were using. They weren’t exactly discreet about it. In fact, the original name they were toying with instead of Heartbreakers was the Junkies! As much as I loved and almost even idolized the Dolls, I just couldn’t bring myself to enter that world for even one jam, let alone joining up with them.
Sad, now that I think about it. For some reason, back then, I held a somewhat unique position in Johnny’s life in that I was that rare someone he was actually embarrassed in front of regarding his heroin dabbling, soon to be a hopeless and ravaging addiction. Maybe me joining that band would’ve helped. Uh, no way, Bink. Well, all that said, Johnny was one of those human beings who was often an absolute cock and jackass and a toxically-charismatic self-destroyer who also had a sweet, shy, smart guy hidden away deep inside that I am eternally glad he shared with me.
The guitarist who took the slot originally offered me instead was a lovely chap from the Demons (one LP on Mercury in 1977), named Walter Lure. I became his pal too. Because of “artistic differences,” Richard Hell didn’t last long. Johnny and Jerry traded his charisma and name brand for real bass playing chops with a quiet sorta sinister guy named Billy Rath who radiated "Back Off!" vibes. His playing made a huge difference in their sound. Exponentially tighter and more powerful. The Heartbreakers, if truth be known, were even better than the New York Dolls. Maybe even the best Punk band of all. On a good night, the Heartbreakers ROARED!
An early ‘70s Warhol entourage-er and photographer, Lee Black Childers, became the Heartbreakers manager and had the genuinely bright idea of moving them to London where Punk was truly exploding, while America continued to wallow in “Disco Duck” and REO Speedwagon.
And then, as legend has it, someone had an even better idea. The band was told that if they continued to use heroin, they’d have to procure it and pay for it themselves. A much trickier proposition in London. But, if they were willing to switch to speed, aka crystal meth, they’d be provided it for free. Done and done!
The teeth-grindingly-cranked Heartbreakers soon wound up Real Deal Darlings in London and part of the infamous Anarchy In The UK Tour in December 1976 with the Sex Pistols, Clash, and Damned. Now, that's a bill, huh! And so, for most of 1977, the Heartbreakers were sort of a trans-Atlantic band, coming into New York a few times to blow minds with their lunatic meth-driven tempos and to make some money, renew their visas, and then split back to Stardom in London.
I’ve always loved the fact that their album, LAMF was released on the Who’s and Jimi Hendrix’s record label, Track. And yes, that’s Brooklyn for Like A Mother Fucker, and yes, Bunky & Jake from last week’s On The Corner column did indeed beat the Heartbreakers to that album title by almost a decade.
Anyway, one very cold night in January, 1978, with my girlfriend out of town, I decided to go downtown to CBGB to check out a friend’s band. As I walked the length of the bar towards the stage, I suddenly saw lanky Walter Lure in his trademark punk-polkadots, leather pants, and Converses, standing near the soundboard. I had no idea he was in town and made a beeline towards him.
“Waltuhhh!”
“Binky!"
Hugs all around. “When the hell did you get back from London?!”
“Just a few days ago, Bink. Hey, I want you to meet a friend of mine. C’mon.” Walter pointed me back towards the front of the club.
Inside CBGB will give an idea of the layout, although the tiny two stool right-angle alcove at the front end of the bar, where Walter was leading me, is hard to see, even on this awesome website. You can just make it out in the panorama No. 5, “Elevated seating area” under the backwards Budweiser and Miller signs. Even with all the lights on, you can see how dark and isolated it was.
So, we walked over to this dinky deeply dim alcove next to the pinball and cigarette machines and Walter stood aside and motioned me to step in. Seated on the stool furthest back in the murk, leaning against the wall that seemed to be propping him up, was some guy in an enormous tan overcoat with the collar pulled up over his entire face save his eyes and flame orange hair. Walter, standing behind me, said, “John, I want you to meet my friend, Binky. He's the best guitarist in New York.” [Well, this IS what Walter said, bless him!]
It was so dark, and the guy was so huddled up, that I had to lean far enough in to shake his hand that our heads wound up less than two feet apart. Then, this guy slowly stuck his right hand out towards me and slowly lowered the collar of his coat and I was... face to face... with... Johnny Rotten.
For a moment, I must confess, I just slack-jaw gaped! I regained my wits and, trying to sound musician-casual, said, “Oh, man, I fucking love your band!” as we shook hands.
Mr. Lydon yanked his hand out of mine and leaned towards me so our faces were now only a foot apart and, with that patented sneering contempt of his, replied “Oh yeah? Well, I fuckin’ HATE ‘em!” and dismissing me with bored disdain, collapsed back into the corner and pulled the collar of his over-sized coat back over his face. I stammered some nonsense about how I was sorry to hear that, but I still really dig 'em, and...blahblah...and turned to Walter, who gave me a classic New York “Hey, whaddya gonna do” shrug and eye-roll and we left John to stew in his juices.
It was Monday night, January 17, 1978.
About 72 hours earlier, Walter’s friend, John had asked the crowd at Winterland Ballroom in San Francisco if they’d “ever gotten the feeling they’d been cheated?”
Then, the next day, The Sex Pistols broke up.
Then, the next day, John flew to New York to escape and brood and to meet a dipshit guitar player at CBGB who told him how much he “fucking” loved his freshly disbanded band.
The following day Mr. Rotten, as the New York Times called him back then, held a news conference and announced to the world that the Sex Pistols were no more.
32 years ago this week.
I believe it’s called... ti-MING!








Binky,
Since I saw you last night I've check out the sight, thanks for the tip. An interesting note on the two bands with the name the Heartbreakers. I was at the final NY Dolls gigs in Florida (two weekends at a club called the Flying Machine in Ft. Laudedale followed by a few shitholes up near Gainsville). I grew up down there, I was in High School at the time.
The open act on some of those nights was the guys that used to be Mudcrutch and had just changed their name to the Heartbreakers (Tom Petty not yet getting top billing), their set was mostly Byrds and Animals covers.
Midway through the Fla. min-tour Johnny, Jerry and Arthur all returned to NYC, Johnny and Jerry soon formed a group called, guess? The Hearbreakers! Johnny's replacement was a local geek named Blackie Guzman, later Blackie Lawless of WASP, although Johansan would introduce him onstage as Johnny Thunder! Leaving off the S, so it was a sort of fib not out and out lie. Blackie was at least a foot taller than Johnny (probably still is) and known around Fla as a local asshole. Funny stuff.
best,
Jim Marshall
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Good to see you last week too.
You've aged about 2 years in the last 15!
The most interesting nugget about this tale... is the fact that The (FLA) Heartbreakers were doing "Animals covers" when you consider that "Breakdown" by PT & HBs is an outright RIP of The Animals' "Cheating"!
I LOVE that JT and JN would swipe that name from those guys.
I recall hearing that the Petty guys had gotten there first.
Now, I KNOW!
Love that a goofball like Lawless would actually be able to walk around actually being "an ex-Doll"!
W.A.S.P. made T Nugent seem like "Quadrophenia"!
Thanks for sharing your truly amazing personal experiences.
Right place, right time... everywhere except on stage, huh!
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