Today's Boom Tune

Right at that moment when the Rolling Stones were moving from being the world’s proudest purveyors of anglicized American rhythm & blues, “Under My Thumb” captures them tearing off into new territory. Aftermath announced they’d become full-on songwriters, capable of filling a whole album of their own music without falling back on the wonders of Chuck Berry, Bo Diddley, Sam Cooke or any of their other early inspirations. Now the group was off in new waters, what with Brian Jones’ dulcimer and sitar in tow and the eleven-minute “Goin’ Home” reflecting the psychedelic revolution knocking on the Stones’ front door. There are any number of sizzling signs of growth here, but it’s “Under My Thumb” that really points the way to their future: a concise composition that nails its subject, but also takes four or five instrumental elements and melds them into one breathing beast. Kicking off with Charlie Watts’ signature backbeat soon joined by guitar accents and a marimba, Mick Jagger takes over as only he can. Naturally, he has to brag about the revenge he’s plotting against a wayward woman. Somehow, though, his new bragging rights don’t sound so assured, and the cracks in the façade are growing by the moment as the singer tries to convince himself he’s still got the upper hand. By the end, we finally figure out the secret to the song’s allure is really the marimba, and Mick Jagger’s panting sounds are more like an obedient dog than the lord of the manor. A few other albums down this road led directly to Their Satanic Majesty’s Request before the band got back to where they once belonged on Beggars Banquet. Whew.    0 Comments

— 08/27/2008